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“I am truly proud of this album and how it has turned out. I have been such a huge fan for many years, watching him write songs for other artistes, watching his performances,” said Gramps, who shares the title of executive producer on the album with Bugle. 32.Marky Lyrical Valley Of Darkness Dubplate Struggling riddim 2014 33. Many times in our industry, a lot of artistes don’t get the attention they are due. 30.Perfect Giddimani The People We Are Junction riddim 2014 31.Jahdan Blakkamore, Kabaka Pyramid For The Children Dubplate Junction riddim 2014. “I’ve always wanted to work with Bugle, his lyrics and his flow are next to none. Grammy award winner Gramps Morgan said that he has been a fan of the Rasta Party hitmaker for several years. I’m delighted to have been a part this album as it’s one for the Jamaican music history books. This album shows maturity, longevity, and all it needs is a chance to be heard. “Bugle is an artiste that I’ve admired his unique sound for years, but listening to tracks from his new album have shown me how much he has grown and is ready to take his career to another level. Shane Brown is not surprised by Bugle’s work. Great job,” said Grammy award-winning engineer Erroll Brown.

“I am from the old school, but what I’ve heard from Bugle’s album have made me a fan – a lot of positive energy and vibes, which hardly exist these days.

The project boasts a solid cast featuring Jada Kingdom, Kabaka Pyramid, Little Lion Sound (based in Switzerland), Noah Powa, Shuga, and New York-based Alexander and Gramps Morgan. The album, titled Picture Perfect, follows Anointed (2014) and Be Yourself (2017). I hope the fans will truly appreciate this latest offering as we strive to preserve the authentic dancehall and reggae culture,” Bugle said. I don’t make music only to entertain but also as a tool to educate and inspire.

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While I could have recorded the entire album in one week, my reason for the lengthy timeline is, I want when someone download or puts my album into their player, they can listen to the entire compilation and appreciate the effort that went into constructing every song and know their hard-earned money was well spent. “I’ve spent the last nine months meticulously working on this album with some of the most respected professionals in the business. Even hip hop experiments Rasta Dubplate and Da Rendition don’t outstay their welcome – and for a reggae artist this is a rare feat.Reggae artiste Bugle has released a third studio album, which he said represents a continuation of his efforts to use music to uplift persons. Smile is a delicate duet with Empress, Love In Your Heart sails close to Studio 1’s Take A Ride, while Unlock bounces along on the ska-shuffling Work Off rhythm. The acoustic pop of Unforgivable yields the declaration that Perfect “can’t forgive” the Caucasian race, “barbarians from the caves”, a lyric likely to draw touchy censorious responses from certain quarters – although closer inspection (“from Pastor to President”) reveals that only white authority figures are the focus of his ire.Īnd though unrepentant roots forms its backbone, there is enough variation and nuance in the running order to stand up to heavy rotation. Hanging Day is a catchy masterpiece in the tradition of Steel Pulse’s historic re-imaginings like Unseen Guest and Ku Klux Klan. However Perfect also knows that the best way to reach people is to place the harshest messages in the most hum-able packages. Already it is clear this album’s sentiments will be 100% proof.

The hefty clavinet laden This City claims the world’s capitals were “built on black man bones”. As such, first record Giddimani was a disappointing 45 throw-together, but now the switched on St Ann’s Singjay returns with second effort Born Dead With Life, (for Austrian outfit IrieVibrations) a self-avowed “concept album” whose lumbering bass-lines shore up the massive historical and geographical themes he undertakes.Īt the heart of the concept is the spectre of slavery, directly touching the lyrics of nine of the sixteen tracks, and lying dormant behind the rest. On paper, (AKA Greg Rose) reads like many a reggae supporter’s dream: a visionary Jamaican artist with a love for roots music and culture.